Monday, November 9, 2009

DESIGN: THE MAGIC KINGDOM ARRIVAL EXPERIENCE


Forced out of your car you are provided with two exotic options to get to the front gate: a ferry or the Monorail.

Resort guests are shuttled to the side by buses hidden away from the primary experience.





Not long ago, I was privileged to be a guest on the world famous WDW Today Podcast. I get my WDW news fix three times a week from Matt, Mike, Mike, and Len. The show topic was the design behind the arrival experience at each of the 4 parks. Making a great first impression is one of the hallmarks of the Disney parks. So let’s try and get into the head of the Imagineers and figure out why each entrance is unique but distinctly Disney.

To understand the Magic Kingdom arrival experience is to go back in time and visit the City of Anaheim in 1953.

After many years of thinking and dreaming, Walt finally decided to move ahead with his dream of a family entertainment facility and he called upon his good friend Harrison “Buzz” Price. Mr. Price ran the Stanford Research Institute, which later became ERA AECOM. Walt laid down some constraints such as not being near an ocean and with flat land so he could create his own mountains, valleys, and rivers. Mr. Price did some research and he found 160 acres of orange and walnut groves about an hour south of Los Angeles in the small community of Anaheim. It had a lot going for it. There was a new freeway being built that would connect Los Angeles to San Diego through the sleepy agricultural communities of Orange County. He thought there might be a small city with ambitions looking for industry to help out with the tax roles. Mr. Price was a numbers guy and what he crunched told him that this area would be the center of the Southern California population within 25 years. He was off by 4 miles.

So Walt gave the go ahead to purchase as much land as he could afford (which wasn't much) and the rest of the story is legendary. Disneyland was an instant hit as Walt predicted and the land values throughout the entire surrounding area shot up. Poor Walt. Disneyland was destined to be surrounded by motels, diners, and other assorted uses that did not meet his high standards. If you want to get a sense of what the Disneyland perimeter looked like back then I recommend visiting Anaheim Vacationland.

The arrival experience for most people consisted of driving down Harbor Boulevard, which was lined with motels, dining spots, tourist support services, and gas stations. The jumble of signs tried to compete with the iconic Disneyland gateway marquee. We Southern Californians know what I am talking about. You paid your parking fee, drove under the power lines, were guided to your spot by a friendly cast member, and walked a short distance to a tram. Whisked to the front you paid for your tickets and the experience becomes very similar in design as the Magic Kingdom from this point forward.

Walt always said that the Florida Project gave him “the blessing of size”. He went out and purchased 27,258-acres for $5 million through an amazing process of dummy corporations and secrecy. He instructed his Imagineers to put the theme park at the far north end, as far away from the main highway as the could go. This served two purposes. First, it became the "wienie" that would draw you through the property past his real dream - the City of EPCOT. He really knew how to move people about. He also wanted the arrival experience to be far different from that in Anaheim.

This time you would leave the safety of the new completed Interstate highway and drive north into a vast wilderness. According to the must have book Since the World Began, the Imagineers felt it was “critical that Cinderella Castle be seen from afar”. Remember, at the time of the park’s opening, visitors had a six-mile drive once they left the main highway. They needed reassurance that they were not just driving into a swamp in Central Florida. Another benefit of having a castle that was more than twice as tall as Disneyland's was it could be seen by all of the resort hotels, the monorail, and the ferries.

Walt encouraged the idea of a tall iconic design element for Disneyland but the implementation is much better at the Magic Kingdom. In Michael Broggie’s Walt Disney’s Railroad Story Walt is reminded his Imagineers “This is a magical place. The important thing is the castle. Make it tall enough to be seen from all around the park. It’s got to keep people oriented”.

Like a light bulb is to moths, Cinderella Castle is to the Magic Kingdom visitor.

But you just can’t hop on the tram and glide to the front gate like you could at Disneyland. The front gate was over a mile away and guarded by the Seven Seas Lagoon. You had to earn it. You parked, hopped on a tram, bought your ticket and then the adventure would really start. To get to the front gate, the Imagineers provided two uncommon forms of transport to choose from - the sleek futuristic monorail or the traditional old-fashioned ferryboat. Today, you can also take a bus from one of the resorts that goes under a canal. Next time you are visiting the park via the bus as you approach the Contemporary Resort watch for boats passing above you. It is an unusual site.

Once you have made it to the other side of the lagoon you become part of the cinematic experience that I describe in detail here and here. As you can see, by design and at great cost, the transition from the parking lot to the Magic Kingdom front gate is nothing like the Disneyland experience. Like a good movie, as you approach you are experience the same sensation that one gets from a watching the opening sequence of a good movie. The stage is set with a long shot of the train station as marquee and the top spires of Cinderella peeking out above a forest. As you move forward your view of the spires are continually deflected but come back in focus and reward you with the sensations you are getting close. The mid-view shot of the train station blocks the Castle right at the front gate. But this only heightens the joy once you have passed through the tunnels below the trains and get your first full view of the Castle with nothing blocking it. By this time the spires have become old friends but now the rest of the structure can make its emotional impact.

Even before the public arrived, Disney wanted to make sure that people knew that Walt Disney World was something much more than just another Disneyland. They were very keen on selling the entire resort experience. The promotional materials highlighted the attractions that were unique at the Magic Kingdom: Liberty Square, Country Bear Jamboree, The Hall of Presidents, Space Mountain, the Mickey Mouse Revue, and 20,000 Leagues Under the Sea. They were also heavy on the amenities such as boating, golfing, and other resort activities.

Lessons learned and lesson applied. That is the genius of the Magic Kingdom's arrival experience.

Sunday, November 8, 2009

A Room with a View

Room 3402
Grand Californian Resort and Spa
November 3, 2009
Approximately 7:50am
video

To see the Monorail running go here.

Thursday, November 5, 2009

Book Review: Hidden Mickeys - A Field Guide

Hidden Mickey: A Field Guide to Walt Disney World's Best Kept Secrets
Dr. Steven M. Barrett
4th Edition
253 Pages
2009
$12.95

Disneyland's: A Field Guide to Disneyland Resort's Best-Kept Secrets
Dr. Steven M. Barrett
2nd Edition
118 Pages
$9.95

www.IntrepidTraveler.com


Disclaimer #1: The books were sent to me by the publisher for the purpose of this review. I have purchased previous editions.

Disclaimer #2: While I was reading the Disneyland version I discovered, much to my surprise was my name. Quite by accident I found a Hidden Mickey in DCA and submitted it to the website. I guess I really did find something and it is right there on page 75, Hint 14. This in no way has influenced this positive review.


Here is how it works. A Hidden Mickey is a compulsion that must be feed every time they step on Disney property. These people are possessed trying to find "a partial or complete image of Mickey Mouse that has been designed to blend into the surroundings in such a way that its presence is not immediately obvious".

This cult has rules and those rules have been laid out by the Lord Judge of the Hidden Mickey Finders...Dr. Steven Barrett. I have heard this man many times before on various podcasts like WDW Today. These Finders are on the prowl for the smallest of details. The truly committed bunch carry the Last Word (the field guides) where ever they go. And they always have smiles on their faces. Why is that?

Because of the way the book is design. For the few of you not familiar with the Field Guide, it is a handy 4" x 9" size. Perfect to pack in large pants pockets or a bag.

You get a lesson on the whole Hidden Mickey phenomena, a warning on how addictive it can be, instructions on what is officially a Hidden Mickey, and a way to participate beyond the book (the website and the ever growing list of Hidden Mickey sitings - that is how I got my name in the book).

The best part is the scavenger hunt. And you know what? It is hard! One chapter provides direction and a clue. For example, go to the Golden Horseshoe Saloon. First, Dr. Barrett has the good taste to recommend Billy Hill and the Hillbillies. Then he challenges you to "check around the stage for a classic Mickey". Find it and you score 3 points. The more difficult the find the higher the points.


Total up your points at the end of the visit and you see just how groovy you are. Not only is the game fun but it will have you looking at the incredible level of detail that is abundant within the parks, resorts, and shopping areas.





Another disclaimer. I am not a Hidden Mickey Finder. I know of a few but my head is so stuffed with other trivia that I couldn't possibly contain the level of knowledge necessary to be a player in the game. I apply the same restraint to pin collecting, vinylmation or those really cool Olszewski models of the park (boy I dodged a bullet with that one). To write the review I felt I needed to immerse myself in the culture and I found it a fun way to visit the park. A really fun way to visit the park if you are a veteran and it will add a new layer to your visit.

Wednesday, November 4, 2009

For Disneyland Monorail Fans

From my balcony - November 3, 2009

video

Tuesday, November 3, 2009

DESIGN: The Disney's Hollywood Studios Arrival Experience - Pt 2

Not long ago, I was privileged to be a guest on the world famous WDW Today Podcast. I get my WDW news fix three times a week from Matt, Mike, Mike, and Len. The show topic was the design behind the arrival experience at each of the 4 parks. Making a great first impression is one of the hallmarks of the Disney parks. So let’s try and get into the head of the Imagineers and figure out why each entrance is unique but distinctly Disney.

Yesterday, we took a walk up to the front gate of Disney’s Hollywood Studios. Today, we will continue with the arrival experience and push our way through the front gate and take a look around.

Once you have gone through the main gate, take a look to your left at Sid Cahuenga’s One-of-a-Kind shop. The building is an excellent example of the California Bungalow and it’s location and purpose was inspired by a true story. First, Sid Cahuenga is a blend of two very LA things. The Sid is a tribute to Sid Grauman of Grauman’s Chinese Theater fame. The original Main Street wienie was a full-scale reproduction of that world famous theater. Today a giant hat obscures it. The Cahuenga refers to a pass through the hills that connects the Los Angeles basin to the San Fernando Valley near the Hollywood Bowl.

The house is inspired by the story of the Janes House. This guy held out and didn’t want to sell out to a shopping mall developer. So the shopping mall developer went ahead and built the mall around his house. He decided to cash in by selling souvenirs. The house and mall is still around.

On the corner is a reproduction of Hollywood’s Blaine Building. Next-door is a snippet of the beautiful bank building that is on Wilshire Boulevard. On top is a billboard celebrating the Pacific Electric Railroad’s Red Cars. This rail system was extensive into the early 1960s but succumbed to either the auto/gas/rubber tire coalition or fiends in Roger Rabbit. References to the Red Cars would repeat on Sunset Boulevard. The billboards were an attempt to create the mythology of the southern California experience, as sold by real estate developers. This really did happen and the region has struggled to live up to the hype ever since.

The intersection is Prospect and Hollywood Boulevards. This perfectly describes the optimistic spirit of this plaza and the theme park beyond. Across the street is the 1938 Darkroom Building. Once again, a real life structure is the inspiration for what Bob Gurr calls “California Corny”.

On top of the building are two billboards that outline the timeframe for the front half of DHS. The Hollywoodland billboard refers to the original subdivision that opened in 1923. 1923 also happens to be the year Walt Disney moved to California. Right next to it is a billboard for the 1945 Hollywood Canteen, which was an oasis for soldiers fighting in World War II.

On the right, after entering, is a service station naturally. This is where you can rent your wheeled vehicle. Oscar’s Service Station is name after the famous Hollywood statue.

The original idea was to create a half-day theme park. The company was just about to open their first water park – Typhoon Lagoon – and they felt they needed something to round out the tourist’s visit. So Eisner took a look at what the Imagineers were up to and noticed a large-scale pavilion for Epcot’s Futureworld that was going to celebrate the cinema. It was to be located between the Land and the Imagination Pavilions.

So they took this idea and established a tiny park, only 85 acres or the size of Disneyland, with a handful of attractions. The placed was packed on day one and the park expanded rapidly.

Monday, November 2, 2009

DESIGN: The Disney's Hollywood Studios Arrival Experience - Pt 1




Not long ago, I was privileged to be a guest on the world famous WDW Today Podcast. I get my WDW news fix three times a week from Matt, Mike, Mike, and Len. The show topic was the design behind the arrival experience at each of the 4 parks. Making a great first impression is one of the hallmarks of the Disney parks. So let’s try and get into the head of the Imagineers and figure out why each entrance is unique but distinctly Disney.

Welcome to the Disney’s Hollywood Studios (DHS, formerly the Disney-MGM Studios), the “Hollywood that never was - and always will be” as the opening proclamation stated. Welcome to the Disney theme park version 2.0. You have entered one of the most influential parks in the entire Disney Empire.

If Disneyland, the Magic Kingdom, Epcot, Tokyo Disneyland, and Disneyland Paris are directly related, then the Studios set the mold for such parks as Disney’s California Adventure, Hong Kong Disneyland, and Walt Disney Studio’s in Paris. Instead of fully realized, immersive environments, with monstrous budgets, the Studios pointed toward a sort of MBA solution – a just in time theme park. Build it small and quickly add capacity as necessary. This solution has influenced the DHS arrival experience.

DHS was the first park built with a bus system in mind. At both the Magic Kingdom and Epcot, the buses are tucked away at the side. At DHS, the buses are prominent at the entry plaza and the auto-parking shuttle further complicates pedestrians’ access. Toss in a boat dock and you have an orientation that is not true to north south like the other parks. The entry is at an angle which influences the way light and shadows would fall on the park’s “Main Street” wienie – currently the giant hat but formerly Grauman’s Chinese Theater.

Walking through the main gates is a combination of a Hollywood postcard comes to life and a bit of time travel through iconic Los Angeles pieces of architecture. The Imagineers would tap into the collective consciousness of moviegoers and recreate a glamorous dreamlike vision of the Hollywood. They use real Los Angeles buildings the same way the early film companies filmed throughout the southland.

It all starts with the Pan-Pacific Auditorium. This iconic building was Los Angeles primary convention center from 1935 to 1972. In 1989, just 3 weeks after DHS opened, it burnt down in a spectacular fire. This is where all of the big shows, conventions, the circus, and other exhibitions were presented. The Pan-Pacific Auditorium was a wonderful example of Streamline Moderne and originally designed by Walt’s buddy, architect Welton Beckett.

This is the only park in Florida where you can see through the gates. The train, Spaceship Earth, and the Oasis block your vision in the other parks. The one major obstruction is the tribute to the 1936 Crossroads of the World building. Throughout Hollywood Boulevard (and continuing Sunset Boulevard) the Imagineers use a tool called shrink and edit to tell a story. In most cases, they take a real life building and change the scale and some of the detail. In the case of the Crossroads building, it is topped by a 5’3” Mickey with one copper ear that works as a lightning rod. The Crossroads of America complex was one of Los Angeles’s first mini-malls.

Tomorrow we will push through those entry gates and take a look around the entry plaza.

Saturday, October 31, 2009

WHEN TWO WORLDS COLLIDE

PRESS TO EXPAND


HAPPY HALLOWEEN!!

Back in 2003, Disney decided that the Haunted Mansion Holiday overlay needed a bit of a boost. So out go the little monkeys banging cymbals and in come Oogie Boogie. The bag of worms was hidden throughout the attraction. While you were in the really long line you were given this map and a new game to play. Follow the clues and you will see all sorts of surprises are in-store for you inside and outside of the attraction.